
The 2026 « Tutti Cambristi » workshop organized by Cambristi Lemani will take place at the
Centre Musical Hindemith
in Blonay (Vaud, Switzerland)
The professional musicians hired to coach are
All instruments and all levels are welcome.
There will be four work sessions (1:30 each) on Saturday and three on Sunday.
Each participant will have at least three coached sessions during the week-end.
The registration fee includes full board accommodation at the Centre Musical Hindemith.
Ad hoc musical activities (play-ins) will take place on Friday and the Saturday evenings.
On Sunday afternoon, an informal concert
will allow each group to demonstrate their spectacular progress!
The registration fee (double room, 2 nights, full board) is
CHF 400.- for non-members,
CHF 300.- without accommodation,
CHF 40.- surcharge for single room (limited number: availability is not guaranteed)
The registration deadline is Sept 1st 2026. Places are limited!
Priority will be given to preformed ensembles who wish to improve their repertoire.
If this is your case, please indicate the names of your partners and the pieces you want
to work on (see registration form under “other remarks for the organisers”).
It is also possible to register as an individual, but the registration will only be confirmed if
we manage to form a consistent group with other participants (in terms of playing levels), and to find a suitable score.
Once your registration has been confirmed by the organizers (because of limited accomodations), payment of the full fee will be due by September 15 2026.
All participants are required to have a personal public liability insurance.
This program has been made possible, in part, with support from ACMP Associated Chamber Music Players.
For more information, please write to: info@cambristi-lemani.ch
Florie-Jeanne Riva, piano
Florie-Jeanne Riva is a french pianist and violinist trained at the Haute Ecole de Genève (HEM) where she obtained a Master in musical interpretation and a Master in music pedagogy in the classes of Cédric Pescia and Ricardo Castro. She took part in several masterclasses by renowned pianists such as Till Fellner, Jean-Marc Luisada, Boris Berman and Yejin Gil.
Active on the musical stage, she regularly appears as a soloist, with chamber music ensembles and orchestras. In June 2025, she played Beethoven's triple concerto with the Geneva Sinfonietta.
She has been invited to many festivals in Switzerland, France, Italy and the USA: les Jardins musicaux, les Aubes Musicales, Virtuoso & Belcanto (Lucca), les clés de Notre-Dame...
Besides her concert career, Florie-Jeanne Riva is a recognized teacher. She teaches sight-reading at the HEM in Geneva and regularly works as an accompanist to choirs, instrumental academies and classes, including for the children's choir of the Geneva conservatory. In 2025 she became an assistant for the keyboards department of the HEM in Geneva.
She is also invested into contemporary and interdisciplinary creation projects.
Marion Rougon-Betis, flute
Marion Rougon-Betis discovered her appeal for music at the music school in Saint-Rémy de Provence where she started playing the flute at the age of 7. She then attended the Conservatories in Avignon and Paris, before entering the Haute Ecole de Musique (HEM) in Geneva, where she obtained a Master in 2023.
She has been selected to participate in many prestigious youth orchestras (Schleswig-Holstein Festival, Grafenegg Academy), and has been a guest player with the orchestre de la Suisse Romande (OSR), the Berner Symphonie Orchester, the Swedish Radio orchestra, the Royal Stockholm Philharmonic Orchestra, the Philharmonic Orchestra of Luxemburg, several national orchestras in France and the Opera Ballet Vlaanderen.
A musician with multiple talents, Marion Rougon-Betis also holds a Master in Managmenent of Cultural Organisations from the University of Paris Dauphine, a second hat that she wears to develop her own projects in chamber music, to conceive, write and produce shows, among others as artistic co-director of the collective "Les Arts Phocéens".
Nandingua Bayarbaatar, violon
Nandia is a violinist and conductor born in Mongolia. Her musical journey took her from Mongolia to France and Switzerland, where she studied at the Haute Ecole de Genève (HEM) and completed a bachelor in violin with Tedi Papavrami, a master in conducting with Laurent Gay as well as a specialized master in period instruments with Chouchane Siranossian and Eva Saladin.
An eclectic musician, Nandia is recognized both as a violinist and a conductor. She has played with major orchestras such as Orchestre de la Suisse Romande (OSR), Orchestre de Chambre de Genève (OCG), Marseilles Opera and Gli Angeli. She is acting constermaster of several amateur ensembles (Orchestre Saint-Pierre-Fusterie and Orchestre des Nations) and is frequently asked to conduct from the violin seat.
A passionate chamber musician, she studied with prestigious quartets (Belcea, Debussy, Gabor Takács) and has played as a soloist on several occasions.
Clément Dami, cello
Multi-faceted cellist Clément Dami develops his career in Switzerland and Europe. He graduated at the Haute école de musique de Genève (HEM) in the class of François Guye, and received numerous prizes including the Friedl Wald scholarship (2013) and the City of Geneva's Adolphe Neuman prize (2018). He has shared the stage with artists such as Patrick Genet, Ophélie Gaillard and Stephan MacLeod.
A chamber music enthousiast, he founded in Geneva the Trio Ernest. Artists in residence at Queen Elisabeth Music Chapel and at ProQuartet, the trio currently studies with Mathieu Herzog. A recipient of several international prizes (FNAPEC Paris, Orpheus Zürich, Ravel Academy, Verao Classico Award) the ensemble tours internationally. The trio's two records, "Haydn All Stars" and "The Wonderful Adventures of Amanda Maier" have received critical acclaim (Diapason, France Musique, Gramophone, AllMusic, Klara...).
Clément has a strong interest for period instruments, he worked with Bruno Cocset and has been performing as a soloist, chamber musician (Ensemble les Eclats, Ensemble Bernini) and in larger formations (Gli Angeli Genève, Orchestre des Champs-Elysées) on the baroque cello.